My intent for this project is to forego my creative license. In throwing away my own eyes, I found new eyes, resurrected. I want to remain humbled by the fact that any image you can possibly take has already been taken. Dan McNulty’s name will live on through his photographs. In re-photographing his work, a man who I have never met and no nothing about, I feel the essence of a loud conversation. Moving the camera to be compositionally accurate means I am finding the place he actually stood almost 60 years ago. It is in this conversation that I can tell him that his photographs are not dead; they are very much living documents, and the conversation between him, myself, or anyone, can continue forever.




























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